Hexagram 30: The Clinging, Fire
Hexagram
30. The Clinging, Fire · Li

Structure of the sign
This hexagram is likewise a double sign. The primary trigram Li denotes 'clinging to something,' 'being conditioned,' 'resting upon something,' and 'clarity.' A dark line clings to a luminous line above and below—the image of an empty space between two firm lines, whereby these become luminous. It represents the middle daughter. The Creative has incorporated the central line of the Receptive into itself, and thus Li comes into being. As an image, it is fire. Fire possesses no definite form of its own, but clings to burning objects and is thereby bright. Just as water descends from heaven, so fire flames upward from the earth. While Kan signifies the soul imprisoned within the body, Li signifies nature in its transfiguration.
The Judgment
The Clinging. Perseverance furthers. It brings success. Care of the cow brings good fortune. The dark adheres to the luminous and thereby perfects its brightness. Since that which is luminous radiates light, it requires something steadfast within so that it does not consume itself entirely, but can shine continually. All that is luminous in the world is dependent on something to which it clings, so that it may endure in shining. Thus the sun and the moon cling to heaven; grain, grass, and trees cling to the earth. So too does the twofold clarity of the dedicated man cling to what is right, and is thereby able to shape the world. When man, who stands conditioned and not independent in the world, acknowledges this dependence and makes himself reliant upon the harmonious and good forces of the cosmic order, he attains success. The cow is the symbol of extreme docility. By cultivating this docility and willing dependence within himself, man attains clarity without sharpness and finds his place in the world. Note: It is a remarkable coincidence worthy of notice that here, just as in the Parsi religion, fire and the care of the cow are joined together.
The Image
Brightness rises twice: the image of Fire. Thus the great man, by perpetuating this brightness, illuminates the four quarters of the world. Each of the two single trigrams depicts the sun in its daily course. A repeated activity of the sun is thus represented. Through this, the enduring effect of light over time is indicated. The great man carries forward the work of nature within the human world. Through the clarity of his being, he causes the light to spread ever further and to penetrate human nature ever more deeply from within.
The lines
Line 1
The footprints run crisscross. If one is earnest: no blame. It is early morning. Work begins. After the soul was closed off from the outer world in sleep, connections with the world now resume. The tracks of impressions run crisscross. A hurried bustle prevails. It is important here to preserve inner composure and not allow oneself to be swept away by the turmoil of life. If one is earnest and composed, one gains the clarity required to deal with the numerous impressions rushing in upon one. At the very outset, such collected earnestness is particularly important, for the beginning contains the seeds of all that follows.
Line 2▶ ruling line
Yellow light. Sublime good fortune. Midday has been reached. The sun radiates a yellow light. Yellow is the color of the center and of measure. Yellow light is therefore the image of perfected culture and art, whose highest harmony consists in moderation.
Line 3
In the light of the setting sun, men either beat upon the pot and sing, or they sigh loudly over approaching old age. Misfortune. Here is the close of day. The light of the sinking sun recalls the conditioned nature and transitoriness of life. In this external lack of freedom, men usually become unfree inwardly as well. Either transience serves as an incentive for all the more abandoned revelry in order to enjoy life while it still remains, or they allow themselves to be carried away by sorrow and ruin precious time through lamentation over approaching age. Both are an evil. To the superior man, an early or late death makes no difference. He cultivates his person, awaits his allotted span, and thereby confirms his destiny.
Line 4
Sudden is its coming; it flares up, dies away, is cast aside. The clarity of the intellect is related to life as fire is to wood. Fire clings to wood, but it also consumes the wood. Intellectual clarity is rooted in life, but it can also consume life. Everything depends on how it manifests. Here the image of a meteor or a flash in the pan is drawn. An agitated, restless character rises swiftly. But lasting effects are lacking. Under these circumstances, it is an evil to expend oneself too hastily and to consume oneself like a meteor.
Line 5▶ ruling line
Weeping in streams, sighing and lamenting. Good fortune! Here is the peak of life. Without a warning, one would consume oneself in this position like a flame. If instead one abandons fear and hope, perceives the vanity of all things, and weeps and sighs, concerned to preserve one's clarity, then good fortune arises from this sorrow. This is a matter of genuine conversion, not merely a passing mood as in the case of the nine in the third place.
Line 6
The king employs him to go forth and chastise. It is best then to execute the leaders and take the followers captive. No blame. The purpose of chastisement is to establish discipline, not to mete out punishment blindly. Evil must be cured at the root. In the life of the state, the ringleaders must be eliminated, but the mere followers spared. In self-cultivation, bad habits must be eradicated, but harmless habits tolerated. For overly severe asceticism, like overly severe penal judgments, leads to no success.
Below ☲ Fire (Li)
- Direction
- S
- Element
- Fire · Sun · Light
- Attributes
- Clarifying · Luminous · Clinging · Conscious · Beautiful
- Family
- Middle Daughter
Above ☲ Fire (Li)
- Direction
- S
- Element
- Fire · Sun · Light
- Attributes
- Clarifying · Luminous · Clinging · Conscious · Beautiful
- Family
- Middle Daughter