Hexagram 54: The Marrying Maiden
Hexagram
54. The Marrying Maiden · Gui Mei

Structure of the sign
Above is Chên, the eldest son; below is Tui, the youngest daughter. The man leads and the girl follows him with joy. The entrance of the maiden into the husband's house is depicted. There are in all four hexagrams that describe the relations between spouses. No. 31, Hsien, 'Influence (Wooing)', describes the attraction that a young couple exert upon each other. No. 32, Hêng, 'Duration', describes the enduring relationships of marriage. No. 53, Chien, 'Development (Gradual Progress)', describes the hesitant and ceremonial procedures in concluding a correct marriage. Finally, Kuei Mei, 'The Marrying Maiden', shows an older man followed in marriage by a young girl. Note: Formally, monogamy prevails in China. Every man has only one official wife. This union, which concerns the families rather than the two individuals involved, is concluded with strict observance of forms. Yet the man retains the right to give ear also to tender inclinations of a personal nature. Indeed, it is the highest duty of a good wife to assist him in this. In this way the relationship becomes a beautiful and candid one. The girl who enters the family according to the man's choice subordinates herself modestly to the mistress of the house as a younger sister. Naturally, these are very delicate and tender questions that require much tact on every side. But when circumstances are favorable, a solution is found here to a problem that European culture has failed to solve. Naturally, womankind in China corresponds as little to the ideal as marriages in Europe are on the average in harmony with European marriage ideals.
The Judgment
The Marrying Maiden. Undertakings bring misfortune. Nothing that would further. A maiden who is received into the family, without being the principal wife, must conduct herself with particular caution and reserve. She must not take it upon herself to displace the mistress of the house, for that would mean disorder, and untenable conditions would result. This applies to all free relationships among people. While legally ordered relationships show a firm nexus of duties and rights, human relationships based on inclination depend for their permanence purely on tactful reserve. This inclination as the principle of relationships is of the greatest importance in all conditions of the world, for from the union of heaven and earth comes the continuance of all nature, and likewise among people free inclination as the principle of union is the beginning and the end.
The Image
Thunder over the lake: the image of the Marrying Maiden. Thus the superior man understands the transitory in the light of the eternity of the end. Thunder stirs the water of the lake, which follows it in shimmering waves. This is the image of the maiden who follows the man of her choice. But every union of people with one another harbors the danger that aberrations will creep in, leading to endless misunderstandings and complications. Therefore it is important to take the end constantly into consideration. If one drifts along, one comes together and parts again as the day determines. If, on the other hand, one keeps a permanent end in view, one will succeed in avoiding the reefs that stand in the way of closer relationships between people.
The lines
Line 1
The marrying maiden as a concubine. A lame man who can tread. Undertakings bring good fortune. The princes of antiquity had a fixed order of rank among the palace ladies, who were subordinate to the queen like younger sisters to the eldest. They were also frequently from the queen's family, brought to her husband by herself. The meaning is that a young maiden, entering a family with the consent of the wife, does not rank equal to her outwardly, but will modestly step back. But if she knows how to fit into the context, she receives a position that is thoroughly satisfying, and she will feel secure in the love of the husband to whom she bears children. The same meaning applies to the relations of officials. A prince perhaps has a man with whom he is on terms of personal friendship and whom he takes into his confidence. This man must tactfully step back outwardly behind the official minister of state. But although he is impeded by this position like a lame man, he can nevertheless achieve something through the goodness of his nature.
Line 2
A one-eyed man who can see. The perseverance of a solitary person furthers. The situation here is such that the maiden has united herself with a man who disappoints her. Husband and wife should cooperate like the two eyes. Here the maiden is left behind in solitude. The man of her choice has either become unfaithful or died. But she does not lose the inner light of faithfulness. Even though the other eye is extinguished, she holds fast to loyalty even in loneliness. ±
Line 3
The marrying maiden as a slave. She marries as a concubine. A maiden who is in a lowly position and does not get a husband can, under certain circumstances, still find accommodation as a concubine. The situation is that one desires pleasures too intensely, which cannot be obtained in the normal way. Thus one enters into a situation that is not entirely compatible with one's own dignity. Neither a judgment nor a warning is added, but the situation is simply disclosed as such, so that everyone can draw the lesson from it for himself.
Line 4
The marrying maiden protracts the time. A late marriage comes in its own time. The maiden is very good, does not want to throw herself away, and thereby misses the customary time for marriage. But this does no harm. She is rewarded for her purity and finally finds, even if late, the husband destined for her.
Line 5▶ ruling line
The sovereign I marries off his daughter. Then the embroidered garments of the princess were not so splendid as those of the servingmaid. The moon that is nearly full brings good fortune. The sovereign I is T'ang the Completer. He enacted a law that imperial princesses in marriage must likewise be subject to their husbands (cf. no. 11, line 5). The emperor does not wait for wooing, but gives his daughter in marriage according to his own judgment. Therefore initiative on the part of the maiden's family is in order here. We see here a maiden of noble descent who marries into modest circumstances and knows how to adapt herself with grace to the new situation. She is free from all vanity of external adornment, forgets her rank in marriage, and places herself below her husband, just as the moon, not yet quite full, does not directly confront the sun. ±
Line 6
The woman holds the basket, but there are no fruits in it. The man stabs the sheep, but no blood flows. Nothing that would further. At the sacrifice to the ancestors, the woman had to present the fruits in a basket, the man personally slaughter the sacrificial animal. Here the forms are fulfilled only superficially. The woman takes an empty basket, the man stabs a sheep already slaughtered beforehand, merely to preserve the form. But this impious, frivolous attitude bodes no good fortune for the marriage.
Lower ☱ Lake (Dui)
- Direction
- W
- Element
- Lake · Metal
- Attributes
- Joyous · Cheerful · Open · Contented · Abundant
- Family
- Youngest Daughter
Upper ☳ Thunder (Dschen)
- Direction
- E
- Element
- Wood · Thunder
- Attributes
- Arousing · Awakening · Impelling · Moving
- Family
- Eldest Son