Hexagram 2: The Receptive

Hexagram

2. The Receptive · Kun

2. The Receptive

Structure of the sign

The hexagram consists entirely of divided lines. The divided line corresponds to the dark, yielding, receptive primal power of yin. The attribute of the hexagram is devotion; its image is the earth. It is the perfect counterpart to the Creative—the counterpart, not the opposite; a complement, not a combatant. It represents nature over against spirit, earth over against heaven, space over against time, the female-maternal over against the male-paternal. Applied to human affairs, the principle of this counterpart is found not only in the relation between man and woman, but also between prince and minister, or father and son; indeed, even within the individual human being, this duality exists in the coexistence of the spiritual and the sensuous. Yet one cannot speak of a genuine dualism here, for between the two hexagrams there exists a relationship of clear hierarchy. In itself, the Receptive is of course just as important as the Creative. But through the attribute of devotion, the position of this primal power in relation to the Creative is defined. It must stand under the guidance and stimulation of the Creative; then its working is salutary. Only when it steps out of this position and seeks to stand as an equal alongside the Creative does it become evil. Opposition and struggle against the Creative then arise, working ruin for both sides.

The Judgment

The Receptive brings about sublime success, furthering through the perseverance of a mare. If the superior man undertakes something and seeks to lead, he goes astray; but if he follows, he finds guidance. It is furthering to find friends in the west and south, and to forgo friends in the east and north. Quiet perseverance brings good fortune. The four fundamental aspects of the Creative—'sublime success, furthering through perseverance'—are likewise found as designations of the Receptive. Here, however, perseverance is more precisely defined as the perseverance of a mare. The Receptive denotes spatial reality as contrasted with the spiritual potential of the Creative. When potential becomes actual, and the spiritual becomes spatial, this always occurs through a limiting, individual determination. This is indicated by appending to the term 'perseverance' the specific qualification 'of a mare.' The horse belongs to the earth just as the dragon belongs to heaven; through its tireless movement across the plain, it symbolizes the vastness of the earth. The expression 'mare' is chosen because the mare unites the strength and swiftness of the horse with the gentleness and devotion of the cow. Nature can bring the impulses of the Creative to fruition only because it is equal to the nature of the Creative. Its wealth consists in nourishing all beings, and its greatness in beautifying and glorifying all things. Thus it brings prosperity to all living creatures. While the Creative begets things, they are brought to birth by the Receptive. Applied to human affairs, it is a matter of conducting oneself appropriately according to the situation. One is not in an independent position, but acts as a helper. Here, something must be achieved. The task is not to wish to lead—which would only lead one astray—but to let oneself be led. If one knows how to maintain an attitude of devotion toward destiny, one will certainly find appropriate guidance. The superior man lets himself be guided. He does not advance blindly, but gathers from circumstances what is demanded of him, following this direction of fate. Since an achievement is required, one needs helpers and friends during the time of work and effort, when the ideas to be carried out are already established. The time of work and effort is expressed by the west and south. For the south and west symbolize the place where the Receptive labors for the Creative—like nature in summer and autumn; if one does not gather all one's forces then, one will not finish the work to be done. Therefore, obtaining friends here means finding accomplishment. But besides labor and exertion, there is also a time for planning and ordering; for this, solitude is needed. The east symbolizes the place where one receives orders from one's master, and the north the place where one reports on what has been accomplished. There, one must be alone and objective. In this sacred hour one must dispense with companions, lest purity be clouded by party hatred and favoritism.

The Image

The condition of the earth is receptive devotion. Thus the superior man of vast nature sustains the external world. Just as there is only one heaven, so there is only one earth. But while in the case of heaven the doubling of the trigram signifies duration in time, in the case of the earth it signifies spatial extension and solidity, with which it bears and sustains all that lives and moves. The earth in its devotion carries both good and evil without exception. Thus the superior man makes his character broad, steadfast, and capacious, so that he is able to bear and endure both men and things.

The lines

Line 1

When one treads on frost, solid ice is near. Just as the light power represents life, so the dark power represents death. In autumn, when the early frost falls, the power of darkness and cold is only beginning to unfold. Following these first traces, according to fixed laws, the manifestations of death will gradually increase until finally rigid winter arrives with its ice. It is precisely the same in life. When certain scarcely perceptible signs of decay appear, the process continues until ruin is at hand. But in life one can take precautions by observing the signs of decay and confronting them in time.

Line 2▶ ruling line

Straight, square, great. Without purpose, yet nothing remains unfurthered. Heaven has the circle as its symbol, the earth the right-angled square. Thus the square is an original attribute of the earth. In contrast, movement in a straight line is originally an attribute of the Creative, as is greatness. But all rectangular things have their root in the straight line and in turn form bodily magnitudes. In mathematics, when lines, planes, and solids are distinguished, right-angled surfaces arise from straight lines, and cubic dimensions from right-angled surfaces. The Receptive conforms to the attributes of the Creative and makes them its own. Thus a straight line becomes a square, and a square becomes a cube. This is simple devotion to the laws of the Creative, without adding or taking away anything. Therefore, the Receptive needs no special intention or effort, and everything turns out right. Nature produces beings without deceit: that is its straightness; it is calm and still: that is its squareness; it does not refuse to tolerate any creature: that is its greatness. Hence, without external contrivance or special designs, it attains what is right for all. For man, the highest wisdom consists in becoming as natural and self-evident in his activity as nature itself.

Line 3

Hidden lines; one is able to remain persevering. If you should be in the service of a king, seek not works, but bring to completion! If one is free from vanity, one is able to conceal one's merits so that they do not prematurely attract public attention. Thus one can mature in quietness. If circumstances require it, one may also step into the public eye, but even then with restraint. The wise man gladly leaves fame to others. He does not seek accomplished facts to be credited to him as personal merit, but he hopes for effective causes—that is, he completes his works in such a way that they bear fruit for the future.

Line 4

A tied-up sack. No blame; no praise. The dark opens when it moves, and closes when it rests. Here the strictest reticence is depicted. The time is dangerous: every step forward leads either to the enmity of overpowering opponents if one seeks to fight them, or to misunderstood recognition if one conducts oneself carelessly. Therefore it is necessary to keep oneself closed, whether in solitude or in the bustle of the world; for even there one can conceal oneself so well that no one knows who one is.

Line 5

A yellow lower garment brings sublime good fortune. Yellow is the color of the earth and of the center, the symbol of what is reliable and genuine. The lower garment is inconspicuously adorned, the symbol of noble restraint. When someone is called to work in a prominent, yet not independent position, true success rests upon the highest discretion. Genuineness and refinement must not emerge directly, but must express themselves only indirectly as an effect from within.

Line 6

Dragons fight in the meadow. Their blood is black and yellow. In the uppermost place, the dark should yield to the light. If it attempts to maintain itself in a position that does not belong to it, and to rule instead of serve, it draws upon itself the wrath of the strong. A struggle ensues in which it is overthrown, though both sides suffer harm. The dragon, the symbol of heaven, arrives and battles the false dragon, into whose likeness the earthly has here exalted itself. Dark blue is the color of heaven, yellow is the color of the earth. When black and yellow blood flows, it is a sign that both primal powers suffer injury through this unnatural struggle.

Lower ☷ Earth (Kun)

Direction
SW
Element
Earth
Attributes
Receptive · Yielding · Nourishing · Supporting · Dark
Family
Mother

Upper ☷ Earth (Kun)

Direction
SW
Element
Earth
Attributes
Receptive · Yielding · Nourishing · Supporting · Dark
Family
Mother